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032c Issue #49 “MEMPHIS” Summer 2026

“YOU HAVE TO EMBRACE THE TRUTH, DIFFICULT AS IT MAY BE, THAT THE ART THAT RESULTED FROM THAT FRICTION IS POSITIVE.” The Skrillex cover is now available for pre-order. 5 additional covers to be revealed soon.

Marc Brandenburg: Mainstream Allergens and Other Urban Debris

Flotsam drifts in various forms across the white walls of “20th Century Debris,” Marc Brandenburg’s major retrospective currently on view at Berlinische Galerie. Phillip Pyle spoke with Marc Brandenburg around the opening of “20th Century Debris” about transforming reality through its translation, his choice not to identify as a photographer, and the gay mainstream as an allergen.

Coucou! Welcome to CANDYLAND

Not Greedy for Money, but for Thrills: DAVID HOCKNEY

Rest in Paradise, David Hockney.
In honor of his life and legacy, here is a retrospective look at the artist's interview from last year with Sven Michaelsen.

EQ Navigates Hyper-Fragmentation

Estratosfera and Qiri are EQ. Their sound exists somewhere between a cold, calculated infrastructure and collective club heat. Buttressed by bilingual lyrics that set the coordinates for a new kind of electronica—one navigated by a “Latin-feminine vision,” ethics, and aesthetics—that is both a product of and a self-conscious response to contemporary hyper-fragmentation.

Fire Island Musings: Photographer Sam Penn and Artist Ser Serpas in Conversation

ALL THAT I KNOW ABOUT MORALITY AND OBLIGATIONS, I OWE IT TO FOOTBALL

Brenda’s Business with MIRKO BORSCHE

There are jobs you don’t do forever simply because they have little chance of turning into a career — a graphic designer might be one of them.

Zürich: Have a Nice Time, Bitte.

Last week, we opened an exhibition featuring Pierluigi Macor’s photographs of Zürich at 032c Gallery. Construction workers, welders, motorcyclists, and Auguste Rodin’s technically unfinished The Gates of Hell flash as beacons amid the images of scaffolding, bridges, skyscrapers, and other urban infrastructures that decorate the walls.

Kate Mosher Hall: Picture as Topography, Image as Scar

Are Video Games the New Movies? Hideo Kojima and Nicolas Winding Refn

Satellites II, the fourteenth version of Prada Mode, takes place today through June 7 at the Hotel Chelsea in New York. We’re republishing Shane Anderson’s interview from last year with filmmaker Nicolas Winding Refn and video game designer Hideo Kojima—who collaborated on the multi-site experience—to celebrate the occasion. 

Case Study: 032c x CUPRA

Design in the Age of Mobility: The 2026 RIMOWA Design Prize

Dennis Cooper: “There shouldn’t be any restrictions at all”

On the occasion of the republication of Closer (1989), the first novel in the “George Miles Cycle,” Phillip Pyle spoke with the Paris-based writer, critic, and filmmaker about writing on amphetamines, the source of his obsessions, and his ethics of fairness.

Edward Skeletrix: The Mind as Masterpiece

At an absinthe bar in London, artist Edward Skeletrix tells Cassidy George about “getting cancelled,” non-duality, and his new photo album, Body of Work.

Theater is Not Dead: Calla Henkel and Max Pitegoff’s New Theater Hollywood

During the last week of “The End of Theater,” Henkel and Pitegoff’s exhibition at Isabella Bortolozzi in Berlin, Phillip Pyle spoke with the two artists about the difference between theater in Berlin and LA, the fictions that come with the medium, and the transformation of the American Dream.

“The immaterial is my favorite material”: Hyd and Tourmaline in Conversation

Tadashi Kawamata Talks With Nature

Contemporary living is marred by accumulation, expansion, and impermanence. Artist Tadashi Kawamata reminds us these forces play out in the architecture that surrounds us.

No Such Thing As Magic: Anton Corbijn

The shroud that insulates celebrity has been thinning lately, but that isn’t any of Anton Corbijn’s concern. Luna Sferdianu chatted with the photographer about celebrity, earnest creative impulses, and the use of photography today.

It’s a New Age of Looting

Zuzanna Czebatul Takes USM to 032c

Namasenda Sounds the Now

Have you noticed how we’ve been sifting through the same references to the point that their meaning has been pulverized? Namasenda has, and she thinks it’s passé.

Sung Tieu: The Scaffold of Ruin

Vitali Gelwich traveled to Venice to photograph the Berlin artist during the installation of “Ruin,” her joint exhibition with the late Henrike Naumann for the German Pavilion at the Venice Biennale.

“The Violence is the Absurdity”

Paul McCarthy and Nadya Tolokonnikova in Conversation

underscores Lifts the Veil on Pop

After the release of her most recent album, underscores and Sanidhya Sharma discussed what’s left of a musician in the aftermath of a project that erupts so intensely from the personal.

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