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032c Pyrate Radio: Rosa Pistola

The Perfect Storm: The Deftones Phenomenon

Born in a Sacramento garage in 1988, Deftones anticipated the needs of an internet-native generation searching for meaning in the pre-internet past. With text by Cassidy George, photography by Jack Bridgland, and creative direction by Tal Midyan, this cover feature for 032c Issue #48 (Winter 2025/26) provides a deep dive into the Deftones phenomenon.

Bret Easton Ellis's The Shards Comes Alive through Hayes Warner

In an Age of Visual Excess, a Mirage: Paloma Wool

LIFE, WHERE WE FROM, TEACHES YOU TO BE PATIENT

Zackavelli, in Kreuzberg

032c PYRATE RADIO: swedm® – THE LAUNCH

Constance Debré Rewrites the Criminal Justice Novel

On the occasion of the release of her new book Offenses, the author spoke with 032c about her artistic process, the role of the trial in culture and the criminal justice system, and her antipathy toward the concept of auto-fiction.

Zürich, Switzerland.

BENEATH AN ETHOS OF RESTRAINT, A RIVER OF DESIRE

Always a Threat: Young Boy Dancing Group

Founded in 2014, Young Boy Dancing Group has performed at major international festivals and venues for more than a decade. Recently, they were also tapped by Madonna for her project Confessions II. And despite the experimental performance and dance collective shunning the press, Shane Anderson managed to talk to them about their origins and principles for this exclusive interview.

Brenda's Business with HEIDI KLUM

Few have managed to become both a famous national export and a permanent resident of German pop culture in the way that Heidi Klum has. In a world where attention spans collapse faster than startup valuations and cultural relevance changes with every scroll, the model-turned-businesswoman and host of Germany’s Next Topmodel has maintained a level of fame over the past three decades that feels almost structurally impossible today.

COMING SOON: 032c for HBO Max

Josiane M.H. Pozi:“The Only Thing I Know Is How I Feel”

Belief Over Consensus: Talking to Ebony L. Haynes

Mastering Disruption: Skrillex in conversation with Ecco2k

Requiem for a Meme: Elan Alexander Presents LooksMAXXING

To mark Elan Alexander's debut, looksMAXXING (2026), Luna Sferdianu spoke to the LA-based writer-director about the school of thought his film draws from, the movement's Orwellian vocabulary, and how we might ultimately brace ourselves for this new reality.

It Was An Internet-Adjacent, Pretty Sick Summer

032c Issue #49 “MEMPHIS” Summer 2026

“YOU HAVE TO EMBRACE THE TRUTH, DIFFICULT AS IT MAY BE, THAT THE ART THAT RESULTED FROM THAT FRICTION IS POSITIVE.” The Skrillex cover is now available for pre-order. 5 additional covers to be revealed soon.

Notes on an Addling Weekend Down at Le Mans

Objects of Our Time: Yoon and Verbal’s AP Royal Oak Concept 

SIGNED BY JUERGEN TELLER

What It Means to Be Good Enough, As Told by Blumengarten

Algorithms often function like shamanic forces, as they are elusive and entirely removed from our ability to pin down their machinations. Due to this cunning phenomenon, someone always gets lucky, including BLUMENGARTEN, the band reigning over the German charts and causing a massive furor on the world wide web.

Maja Malou Lyse: Things To Come

On the occasion of the 61st Venice Biennale, Zoe Chait traveled to Venice to photograph Maja Malou Lyse, after spending the past year documenting the making of Things To Come, the artist's forthcoming publication with Mousse Publishing. Karol Chmielewski spoke with the artist about pornography, sperm banks, and the thin wall between fantasy and science.

Marc Brandenburg: Mainstream Allergens and Other Urban Debris

Flotsam drifts in various forms across the white walls of “20th Century Debris,” Marc Brandenburg’s major retrospective currently on view at Berlinische Galerie. Phillip Pyle spoke with Marc Brandenburg around the opening of “20th Century Debris” about transforming reality through its translation, his choice not to identify as a photographer, and the gay mainstream as an allergen.

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